MAJOR LOCRIAN.
The MAJOR LOCRIAN SCALE is the 5th mode of Neapolitan Major and is composed of the following intervals: 1,2,3,4,b5,b6,b7.
The boxes below show you the scale over the whole neck, as a 3 octave scale and as the 7 three note per string positions that link together to let you play it any where on the fretboard.
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
Showing posts with label melodic. Show all posts
Showing posts with label melodic. Show all posts
Friday, August 17, 2012
LYDIAN MINOR
LYDIAN MINOR.
The LYDIAN MINOR SCALE is the 4th mode of Neapolitan Major and is composed of the following intervals: 1,2,3,#4,5,b6,b7.
The boxes below show you the scale over the whole neck, as a 3 octave scale and as the 7 three note per string positions that link together to let you play it any where on the fretboard.
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
The LYDIAN MINOR SCALE is the 4th mode of Neapolitan Major and is composed of the following intervals: 1,2,3,#4,5,b6,b7.
The boxes below show you the scale over the whole neck, as a 3 octave scale and as the 7 three note per string positions that link together to let you play it any where on the fretboard.
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
LYDIAN DOMINANT AUGMENTED
LYDIAN DOMINANT AUGMENTED.
The LYDIAN DOMINANT AUGMENTED is the 3rd mode of Neapolitan Major and is composed of the following intervals: 1,2,3,#4,#5,6,b7.
The boxes below show you the scale over the whole neck, as a 3 octave scale and as the 7 three note per string positions that link together to let you play it any where on the fretboard
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
The LYDIAN DOMINANT AUGMENTED is the 3rd mode of Neapolitan Major and is composed of the following intervals: 1,2,3,#4,#5,6,b7.
The boxes below show you the scale over the whole neck, as a 3 octave scale and as the 7 three note per string positions that link together to let you play it any where on the fretboard
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
THE MELODIC MINOR SCALE MAPPED OUT FOR EIGHT STRING GUITAR.
THE MELODIC MINOR SCALE MAPPED OUT FOR EIGHT STRING GUITAR.
The MELODIC MINOR SCALE contains the intervals 1,2,b3,4,5,6,7.
In classical harmony, it has two forms, as above when ascending and 1,2,b3,4,5,b6,b7 when descending.
In modern usage though this tend to be ignored making things a bit easier for us.
CLICK HERE FOR MORE 8 STRING RESOURCES!!
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
The MELODIC MINOR SCALE contains the intervals 1,2,b3,4,5,6,7.
In classical harmony, it has two forms, as above when ascending and 1,2,b3,4,5,b6,b7 when descending.
In modern usage though this tend to be ignored making things a bit easier for us.
CLICK HERE FOR MORE 8 STRING RESOURCES!!
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
Thursday, April 19, 2012
The Melodic Minor Scale
Next up in the exciting tour of guitar scales is the Melodic Minor Scale.
It's spelt with the intervals: 1,2,b3,4,5,6,7, so depending on how you want to look at it, it's the same as the Major Scales but with a b3, or if you prefer the same as the Natural Minor Scale but with a (major) 6 and 7.
I do vaguely remember there being some mention of the melodic minor scale strictly speaking being different in it's ascending and descending forms (Natural minor when descending I think?)* but in it's application particularly by lazy guitarists, these boxes below will do just fine.
Melodic Minor does have some lovely modes, that I will waffle about later, including my favourite scale, The Hindu Scale, made famous by Jimmy Page, but the Hindu Scale sheet will follow... eventually.
(*That sounded a bit mental when I read it back, so I checked. In classical composition the scale does have different ascending and descending forms, 1,2,b3,4,5,6,7 going up, 1,2,b3,4,5,b6,b7 going down, but in modern applications applications, in particular jazz, the descending version is omitted. If you don't believe me ask wikipedia!)
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
It's spelt with the intervals: 1,2,b3,4,5,6,7, so depending on how you want to look at it, it's the same as the Major Scales but with a b3, or if you prefer the same as the Natural Minor Scale but with a (major) 6 and 7.
I do vaguely remember there being some mention of the melodic minor scale strictly speaking being different in it's ascending and descending forms (Natural minor when descending I think?)* but in it's application particularly by lazy guitarists, these boxes below will do just fine.
Melodic Minor does have some lovely modes, that I will waffle about later, including my favourite scale, The Hindu Scale, made famous by Jimmy Page, but the Hindu Scale sheet will follow... eventually.
(*That sounded a bit mental when I read it back, so I checked. In classical composition the scale does have different ascending and descending forms, 1,2,b3,4,5,6,7 going up, 1,2,b3,4,5,b6,b7 going down, but in modern applications applications, in particular jazz, the descending version is omitted. If you don't believe me ask wikipedia!)
CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG!
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